CUAPRF407A Develop expertise in musical theatre techniques

Release: 1

CUAPRF407A Develop expertise in musical theatre techniques

Modification History

Version	Comments
CUAPRF407A	This version first released with CUA11 Live Performance Training Package version 1.0

Unit Descriptor

This unit describes the performance outcomes, skills and knowledge required to add range and depth to musical theatre techniques. Musical theatre encompasses the disciplines of dance, drama and singing.

Application of the Unit

This unit applies to performers who are consolidating their career in contexts where musical theatre performance skills are required. Performances could be in commercial or competition settings and performers would usually be performing as members of an ensemble, though some solo work could be expected.

At this level, performers are constantly refining their technique and expression to produce performances that convey the mood and style of music through complex dance and vocal sequences. While supervision and guidance are provided in practice sessions and rehearsals, dancers are expected to display a high level of motivation and sense of responsibility for themselves and others when it comes to applying dance technique in a live performance context.

Licensing/Regulatory Information

No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement.

Pre-Requisites

Not applicable.

Employability Skills Information

This unit contains employability skills.

Elements and Performance Criteria Pre-Content

Element	Performance Criteria
Elements describe the essential outcomes of a unit of competency.	Performance criteria describe the performance needed to demonstrate achievement of the element. Where bold italicised text is used, further information is detailed in the required skills and knowledge section and the range statement. Assessment of performance is to be consistent with the evidence guide.

Elements and Performance Criteria

1. Maintain a physical conditioning program	1.1. Consult with relevant personnel to identify a range of techniques to improve stamina, strength and flexibility 1.2. Set realistic physical conditioning goals aimed at improving musical theatre techniques 1.3. Identify risk factors that may inhibit the achievement of goals and seek professional advice as required 1.4. Take fatigue, personal limitations and boundaries into account when undertaking physical conditioning program 1.5. Always perform warm-up and cool-down procedures in conjunction with dance activities 1.6. Always perform vocal warm-up procedures in conjunction with vocal activities 1.7. Ensure that clothing and footwear are appropriate for undertaking exercise regime and practising dance technique
2. Use practice sessions to increase level of expertise in dance techniques	2.1. Follow safe dance practice 2.2. Apply correct posture and body alignment appropriate to musical theatre style and movements 2.3. Apply isolation and coordination of upper and lower body within complex movement sequences 2.4. Apply balance, flexibility, stamina, coordination and weight transfer skills, and control and articulation of individual body parts in an integrated manner in a range of exercises 2.5. Apply memory retention, control and attention to detail when performing complex phrases of dance movements 2.6. Practise dance combinations to a mixed metre 2.7. Incorporate musicality, rhythm and correct timing into performances 2.8. Apply understanding of the relationship between musical theatre styles and the accompanying music or other media 2.9. Incorporate spatial awareness, connectivity and interactive skills when performing with others
3. Use practice sessions to increase level of expertise in musical theatre techniques	3.1. Apply correct posture and breathing techniques 3.2. Apply appropriate dynamics and pitch 3.3. Practise singing in tune with others 3.4. Ensure phrasing is appropriate to the music 3.5. Experiment with various acting styles and methods as appropriate 3.6. Sustain complex characterisation through musicality, dance and voice phrasing, and correct timing as choreographed 3.7. Work on incorporating complex expressive qualities into musical theatre techniques 3.8. Incorporate complex dance and vocal techniques to confidently portray choreographic and dramatic intentions
4. Maintain expertise	4.1. Continuously practise and refine combinations of complex movements and routines 4.2. Maintain and update knowledge of musical theatre terminology 4.3. Use feedback from teachers and mentors to identify and develop ways to improve own musical theatre techniques 4.4. Regularly view performances by industry practitioners as a way of sourcing new ideas and trends, maintaining motivation, and improving own technique

Required Skills and Knowledge

This section describes the skills and knowledge required for this unit.

Required skills

communication skills to:

discuss dance and physical conditioning issues with relevant personnel

respond appropriately to feedback on own skill development

initiative and enterprise skills to:

work creatively with music and dance

perform with style and strong stage presence

communicate the mood or style of dances and songs

use props confidently and effectively

maintain own expertise

identify and apply relevant aspects of the culture and history of the musical theatre style

learning skills to:

develop strong musical theatre performance techniques through:

practising complex movements and routines

a positive attitude to performing

develop and implement a personal physical conditioning program

develop a movement memory

listening skills to:

maintain correct tempi in movement sequences

maintain musical sensitivity, awareness and phrasing in movement sequences

planning and organising skills to plan practice time

self-management skills to:

arrive punctually at classes and practice sessions

dress appropriately

observe dance discipline and follow direction

apply safe dance and vocal practice

teamwork skills to work collaboratively with others involved in classes and practice sessions.

Required knowledge

well-developed knowledge of:

principles underlying dance movements and techniques, such as:

relationship with gravity

spatial awareness

successional movement

use of breath

folding

extending

rotating

shifting weight

principles underlying vocal techniques in a musical theatre performance context

anatomical foundations, including:

articulation of the spine

engagement of the feet

bases of support, including feet, legs, hands, arms and torso

range of joint motion

differentiation of the legs and pelvis

importance of healthy food choices in relation to wellbeing and injury prevention, including five food groups and recommended daily amounts

musical theatre terminology

stage geography and directions

musical rhythms, including:

time signatures

beat

tempo

syncopation

overview knowledge of:

history of musical theatre, including:

theatre of the ancient Greeks

prominent dancers, composers and choreographers

range of musical theatre styles

ways of notating musical theatre.

Evidence Guide

The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.

Overview of assessment
Critical aspects for assessment and evidence required to demonstrate competency in this unit	Evidence of the ability to: perform, in a learning environment, a range of routines in at least one musical theatre style in a way that demonstrates: choreographic intention well-developed musical theatre performance technique follow safe dance practice respond appropriately to constructive feedback on own performance.
Context of and specific resources for assessment	Assessment must ensure access to: relevant music, resources and equipment appropriate dance performance areas or spaces.
Method of assessment	A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit: direct questioning combined with review of portfolios of evidence third-party workplace reports of on-the-job performance verbal or written questioning to test knowledge as listed in the required skills and knowledge section of this unit case studies and scenarios as a basis for discussion of issues and challenges that arise in the context of performing musical theatre evaluation of live or recorded performances direct observation or video recording of the candidate in practice sessions or rehearsals. Assessment methods should closely reflect workplace demands (e.g. literacy) and the needs of particular groups (e.g. people with disabilities and people who may have literacy or numeracy difficulties, such as speakers of languages other than English, remote communities and those with interrupted schooling).
Guidance information for assessment	Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example: CUADAN407A Develop expertise in dance performance skills CUAPRF401A Employ a range of acting skills in performance CUAPRF402A Develop conceptual and expressive skills as a performer CUSMPF407A Develop vocal techniques.

Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Relevant personnel may include:	coaches colleagues family members medical practitioners mentors nutrition experts performers teachers.
Risk factors may relate to:	body image and eating disorders consistency of a physical fitness regime expectations of others gender-appropriate performance techniques gender issues poor nutrition incorrectly fitting footwear injury-prevention strategies insufficient hydration own ambition.
Warm-up and cool-down procedures may include:	aerobic activities anaerobic exercises body conditioning and strength development breathing techniques coordinated breathing activities flexibility exercises floor work isolation and mobility of body parts joint-mobility exercises stretching.
Vocal warm-up procedures may include:	deep breathing exercises, especially for abdominal breathing exercises to loosen mouth, such as: tongue lips soft palate exercises to loosen face muscles, such as: cheek eye jaw gentle open vowel singing maintaining good throat hydration with gentle gargling tongue twisters whole body relaxation exercises, such as: tai chi yoga vocalising exercises beginning in mid-range, before extending to upper and lower registers.
Safe dance practice may include:	adjusting performance to venue breathing exercises correct execution of dance steps appropriate clothing and footwear doing exercises and performing routines on flooring appropriate to genre and style of dance, including: sprung softwood tarkett sprung parquet tongue and groove hardwood logical sequencing of dance movements nutrition and diet spatial awareness understanding the body’s capabilities and limitations, including: alignment flexibility (mobility) strength (stability) cardiorespiratory endurance muscular endurance warm-up and cool-down procedures, such as: gentle stretch aerobic exercises anaerobic exercises.
Body alignment refers to:	proper alignment of the torso, hips, limbs, spine and shoulders in poses and movements, such as: ear over the shoulder over the hips knee over the ankle skeletal alignment throughout movements.
Exercises may relate to practising:	complex elevation techniques complex falling techniques complex turning techniques complex weight transfer techniques demonstrating an awareness of personal and general space when travelling and stationary focusing eyes and mind while performing interpreting rhythm to movement isocentric and polycentric isolations locomotor exercises and sequences, such as: pirouettes posés piqués pencil turns châinés kicks jumps and leaps maintaining rhythm and tempo non-locomotor techniques, such as: balance stillness using arm lines appropriately and extensively working at differing tempos working on centre and off centre working in a cohesive partnership with a peer and interpreting a dance style.
Complex phrases refer to:	‘chaining’ or joining and sequencing of steps and movements or combinations of steps and movements.
Accompanying music may include:	a cappella contemporary or soundscape instrumental live or recorded traditional or folk vocal.
Other media may include:	design elements, such as performance lighting projections props.
Dynamics refers to:	variations of the intensity of resonance (volume).
Pitch refers to:	range from high to low.
Acting styles and methods may include:	melodrama comedy tragedy Stanislavski method.

Unit Sector(s)

Performing arts - performance

Custom Content Section

Not applicable.