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Unit of competency details

CUVCOR12B - Review history and theory for application to artistic practice (Release 1)

Summary

Usage recommendation:
Superseded
Mapping:
MappingNotesDate
Supersedes and is equivalent to CUVCOR12A - Review history and theory for application to artistic practiceUpdated and equivalent 19/Apr/2008
Is superseded by and equivalent to CUVRES301A - Apply knowledge of history and theory to own arts practiceThis unit replaces CUVCOR12B Review history and theory for application to artistic practice 05/Oct/2011

Releases:
ReleaseRelease date
1 1 (this release) 18/Apr/2008

Classifications

SchemeCodeClassification value
ASCED Module/Unit of Competency Field of Education Identifier 100301 Fine Arts  

Classification history

SchemeCodeClassification valueStart dateEnd date
ASCED Module/Unit of Competency Field of Education Identifier 100301 Fine Arts  18/Apr/2008 
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Modification History

Not Applicable

Unit Descriptor

Unit descriptor 

This unit describes the skills and knowledge required to source and review information on history and theory for application to own work. The unit goes beyond the general understanding of an area of work (covered in unit CUVCOR11B Source information on history and theory and apply to own area of work) to encompass the notion of linking knowledge to one's own practice. The unit provides underpinning skills and knowledge for all areas of arts practice.

No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement.

Application of the Unit

Not Applicable

Licensing/Regulatory Information

Refer to Unit Descriptor

Pre-Requisites

Prerequisite units 

This unit underpins many specialisation units, and combined assessment and/or training with those units is highly recommended.

Employability Skills Information

Employability skills 

This unit contains employability skills.

Elements and Performance Criteria Pre-Content

Elements describe the essential outcomes of a unit of competency.

Performance criteria describe the performance needed to demonstrate achievement of the element. Where bold italicised  text is used, further information is detailed in the required skills and knowledge section and the range statement. Assessment of performance is to be consistent with the evidence guide.

Elements and Performance Criteria

ELEMENT 

PERFORMANCE CRITERIA 

1 Source information on history and theory .

1.1 Identify and access appropriate sources  of information on history and theory.

1.2 Gather  and organise information systematically.

2 Review information on history and theory .

2.1 Select information  relevant to particular areas of interest.

2.2 Extract key ideas and concepts  for possible relevance to own work.

2.3 Evaluate  key ideas and concepts for potential relevance to own work.

3 Apply information to own work .

3.1 Formulate own ideas on the specific ways  in which information may be used within work.

3.2 Integrate ideas into the development of own work.

Required Skills and Knowledge

Required Skills and knowledge 

This section describes the skills and knowledge required for this unit.

Required skills :

  • literacy skills sufficient to source, organise, evaluate information on history and theory for integration into own arts practice.

Required knowledge :

  • general knowledge about sources of information about history and theory relevant to own arts practice
  • theoretical and historical contexts relevant to own arts practice, including work of other artists
  • knowledge about information organisation practices to assist in arts practice
  • awareness of copyright and intellectual property issues and legislation in relation to the use of information and ideas in own work
  • ways in which history and theory may be used in the development of own arts practice.

Evidence Guide

EVIDENCE GUIDE 

The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.

Critical aspects for assessment and evidence required to demonstrate competency in this unit 

The following evidence is critical to the judgement of competence in this unit:

  • demonstration of effective use of information within own arts practice
  • general knowledge of history and theory and the ways in which it may be used within own work.

Context of and specific resources for assessment 

The assessment context must provide for:

  • project or work activities that allow the candidate to review and apply information to the development of work.

Method of assessment 

Assessment may incorporate a range of methods to assess performance and the application of essential underpinning knowledge, and might include:

  • case studies to assess ability to review information for application to different work contexts
  • questioning and discussing candidate's intentions and the work outcome
  • written or verbal reports
  • written and visual documentation
  • review of portfolios of evidence
  • third party workplace reports of performance by the candidate.

Assessment methods should closely reflect workplace demands (e.g. literacy) and the needs of particular groups (e.g. people with disabilities, and people who may have literacy or numeracy difficulties e.g. speakers of languages other than English, remote communities and those with interrupted schooling).

Assessment of this unit requires access to the materials resources and equipment needed to identify, select, gather and evaluate information. It also requires resources to assist the integration of the selected information into the development of the work.

Range Statement

RANGE STATEMENT 

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised  wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Arts practice may involve one, or more than one, area of the arts including:

  • arts administration
  • dance
  • design
  • multi-media
  • music
  • photoimaging
  • visual arts and contemporary craft
  • writing.

Sources  may include:

  • cultural, historical, scientific texts
  • film, video, web
  • images, objects
  • journal articles
  • oral histories
  • performances, presentations, dance
  • religious and spiritual texts
  • stories
  • technical or medium specific information.

Information  may relate to:

  • aesthetics
  • criticism
  • cultural issues
  • gender and identity issues
  • histories of art, craft and design
  • histories of performance
  • land and place
  • new technologies
  • politics
  • presentations and related skills
  • signs and symbols
  • spiritual concerns
  • world histories.

Gathering  and collating information involves accessing information in a culturally appropriate way and systematically organising information by means of:

  • charts
  • data base
  • diagrams
  • files, notebooks, diaries
  • indices
  • mind maps
  • sketches.

Key ideas and concepts  may involve consideration of:

  • cultural traditions
  • elements and principles of design pertaining to own area of arts practice
  • technical characteristics/qualities of specific work by others in own area of arts practice
  • the relationship of the work to a theoretical and historical context in own area of arts practice
  • the subject matter or theme relevant to work in own area of arts practice and this may involve the following; the body, identity land and place, political, cultural, social issues, spiritual concerns.

Evaluating  may involve:

  • comparing
  • considering constraints/parameters of key ideas and concepts
  • considering merit
  • contrasting
  • discussion and debate
  • reflecting.

Ideas on specific ways  in which information may be used may relate to:

  • current trends in practice
  • deliberate contrast to current trends
  • shared philosophies with other artists
  • the use of contrasting techniques
  • the use or adaptation of particular techniques.

Unit Sector(s)

Not Applicable