^

 
 

Unit of competency details

CUASOU402 - Manage audio input sources (Release 2)

Summary

Usage recommendation:
Superseded
Mapping:
MappingNotesDate
Is superseded by and equivalent to CUASOU412 - Manage audio input sources 15/Apr/2021
Supersedes and is equivalent to CUESOU08B - Select and manage microphone and other audio input sourcesUpdated to meet Standards for Training Packages. 20/Nov/2013

Releases:
ReleaseRelease date
2 (this release) 15/Jan/2016
(View details for release 1) 21/Nov/2013


Qualifications that include this unit

CodeSort Table listing Qualifications that include this unit by the Code columnTitleSort Table listing Qualifications that include this unit by the Title columnUsage RecommendationRelease
CUA40213 - Certificate IV in Community CultureCertificate IV in Community CultureSuperseded1-4 
CUA50513 - Diploma of Live Production DesignDiploma of Live Production DesignSuperseded1-4 
CUA50415 - Diploma of Live Production and Technical ServicesDiploma of Live Production and Technical ServicesSuperseded1-3 
CUA40415 - Certificate IV in Live Production and Technical ServicesCertificate IV in Live Production and Technical ServicesSuperseded1-3 
CUA30915 - Certificate III in Music IndustryCertificate III in Music IndustrySuperseded1-2 
CUA50413 - Diploma of Live Production and Technical ServicesDiploma of Live Production and Technical ServicesSuperseded
CUA40915 - Certificate IV in Music IndustryCertificate IV in Music IndustrySuperseded1-3 
CUA40413 - Certificate IV in Live Production and Technical ServicesCertificate IV in Live Production and Technical ServicesSuperseded
Items per page 10 | 20 | 50 | 100
Displaying items 1 - 8 of 8

Classifications

SchemeCodeClassification value
ASCED Module/Unit of Competency Field of Education Identifier 100701 Audio Visual Studies 

Classification history

SchemeCodeClassification valueStart dateEnd date
ASCED Module/Unit of Competency Field of Education Identifier 100701 Audio Visual Studies 05/Mar/2014 
The content being displayed has been produced by a third party, while all attempts have been made to make this content as accessible as possible it cannot be guaranteed. If you are encountering issues following the content on this page please consider downloading the content in its original form

Unit of competency

Modification History

Release 

Comments 

Release 2

This version released with CUA Creative Arts and Culture Training Package version 2.0. Updated assessment conditions section. Updated modification history section to reflect changed name of training package.

Release 1

This version first released with CUA Creative Arts and Culture Training Package version 1.0.

Application

This unit describes the performance outcomes, skills and knowledge required to select and manage microphones and other audio input sources for productions in the screen, media, entertainment and events industries.

Individuals who apply these skills work autonomously in a team environment as they work to achieve the best possible audio outcomes for performances or shows. They may also be responsible for supervising others.

No licensing, legislative or certification requirements apply to this unit at the time of publication.

Unit Sector

Media and entertainment production - audio/sound

Elements and Performance Criteria

Elements 

Elements describe the essential outcomes.

Performance Criteria 

Performance criteria describe the performance needed to demonstrate achievement of the element.

1. Organise input sources

1.1 Determine audio requirements and timelines in consultation with relevant personnel and with reference to production documentation

1.2 Assess venues to determine input source options based on acoustic analyses that take physical limitations into account

1.3 Take acoustic sources of audio into account when identifying preferred microphone placement

1.4 Clarify the backline needs of musical groups as required and organise microphones and other input sources accordingly

1.5 Keep up-to-date with developments in audio technology to ensure the most appropriate selection of microphones and the best approach to audio operations

1.6 Reach agreement on placement and organisation of microphones and other audio input sources prior to technical run-throughs or rehearsals

2. Maximise gain on stage

2.1 Place and connect microphones in desired locations using safe work practices

2.2 Position microphones appropriately to achieve required gain

2.3 Increase gain before feedback through effective use of equalisation options and effects equipment

3. Manage inputs

3.1 Prepare and implement appropriate microphone plots

3.2 Patch microphone signals to audio mixing desk, including multiple signals as required

3.3 Prepare and maintain an input signal failure plan

3.4 Test input sources, identify problems promptly and take appropriate action to rectify

3.5 In consultation with relevant personnel, evaluate quality of audio set-up and note areas for future improvement

Foundation Skills

This section describes language, literacy, numeracy and employment skills incorporated in the performance criteria that are required for competent performance.

Skill 

Performance Criteria 

Description 

Reading

1.1, 1.5

  • Obtains information from a range of written sources

Writing

3.1, 3.3, 3.5

  • Prepares and updates workplace documentation
  • Documents outcomes of evaluations

Oral communication

1.1, 1.4, 1.5, 1.6, 3.4, 3.5

  • Obtains information by listening and questioning
  • Discusses ideas and solutions in relation to audio operations

Navigate the world of work

1.1, 1.2, 1.6, 2.1, 3.5

  • Follows workplace protocols and safety procedures
  • Demonstrates a commitment to improving own work performance through contributing to evaluations of audio set-ups

Interact with others

1.1, 1.4, 1.5, 1.6, 3.4, 3.5

  • Works collaboratively to determine and complete requirements
  • Follows accepted communication practices and protocols

Get the work done

1.1, 1.2, 1.3, 1.4, 1.6, 2.1, 2.2, 2.3, 3.1, 3.2, 3.3, 3.4,

  • Adopts a methodical and logical approach to preparing microphone plots and managing audio input sources
  • Assesses venues from an acoustic perspective to inform decisions about placement of audio equipment and accessories
  • Recognises and takes responsibility for addressing predictable, and some less predictable, problems that arise in audio operations
  • Meets work deadlines
  • Applies knowledge of audio concepts and principles to the set-up and operation of audio equipment and accessories
  • Uses standard word processing and spreadsheet applications to update audio documentation

Unit Mapping Information

Code and title  

current version 

Code and title 

previous version 

Comments 

Equivalence status 

CUASOU402 Manage audio input sources (Release 2)

CUASOU402 Manage audio input sources (Release 1)

Updated assessment conditions section. Updated modification history section to reflect changed name of training package.

Equivalent unit

Links

Companion Volume implementation guides are found in VETNet - https://vetnet.gov.au/Pages/TrainingDocs.aspx?q=1db201d9-4006-4430-839f-382ef6b803d5

 

Assessment requirements

Modification History

Release 

Comments 

Release 2

This version released with CUA Creative Arts and Culture Training Package version 2.0. Updated assessment conditions section. Updated modification history section to reflect changed name of training package.

Release 1

This version first released with CUA Creative Arts and Culture Training Package version 1.0.

Performance Evidence

Evidence of the ability to:

  • set up and test complex microphone plots and other audio input sources for at least two productions or events
  • apply in-depth knowledge of microphone technology and product options to work activities
  • manage a range of microphone and other audio inputs during technical run-throughs or rehearsals on at least two occasions
  • correctly use terminology associated with input source management
  • work collaboratively.

Note: If a specific volume or frequency is not stated, then evidence must be provided for each of the above points at least once.

Knowledge Evidence

To complete the unit requirements the individual must:

  • explain the features of a range of different microphone and the contexts in which they are best used
  • explain the acoustic consequences of signal phase problems and when to use phantom power
  • provide examples of current trends in microphone development and the availability of products
  • provide examples of issues and challenges that typically arise when managing audio input sources, along with solutions to address them
  • provide example of issues to consider when preparing microphone plots and input signal failure plans.

Assessment Conditions

Assessment must be conducted in a safe environment where evidence gathered demonstrates consistent performance of typical activities experienced in creative arts industry environments. The assessment environment must include access to a range of microphones and audio equipment used to mix live audio.

Assessors of this unit must satisfy the requirements for assessors in applicable vocational educational and training legislation, frameworks and/or standards.

Links

Companion Volume implementation guides are found in VETNet - https://vetnet.gov.au/Pages/TrainingDocs.aspx?q=1db201d9-4006-4430-839f-382ef6b803d5